演習Ｉ「古代文明と文化における普遍性（universality）と特殊性（particularlity）

前期クラス日程、　　　　課題、　　　　　　　　　　　資料

発表テーマ１Topics 1-How to Choose a Presentation Topic

発表テーマ２Topics 2-Suggestions for Presentation Topic

　

　

　

　

　

　

　

　

第１回（日本語） 文明と文化　　サミュエル・ハンチントン（鈴木主税訳）「文明の衝突と21世紀の日本」集英社新書００１５Ａ：１０２－２６。Page 1 here. Page 2 here. Page 3 here. Page 4 here. Page 5 here. Page 6 here. Page 7 here. Page 8 here. Page 9 here. Page 10 here. Page 11 here. Page 12 here. Page 13 here.

　

　

ネット資料

http://www.foreignaffairsj.co.jp/yosi/9706.htm#3

http://www.kantei.go.jp/jp/21century/index.html

　

　　　　　　　　

第2回（English）　　　Culture & Civilization Huntington, Samuel P. 1997. The Clash of Civilizations and the Remaking of the World Order. Touchstone Books: 40-55. Page 1 here. Page 2 here. Page 3 here. Page 4 here. Page 5 here. Page 6 here. Page 7 here. Page 8 here. Page 9 here. Page 10 here. Page 11 here. Page 12 here. Page 13 here. Page 14 here. Page 15 here. Page 16 here.

　

　

　

NetSources 　　　　　　　　　　　　　　　　　　　　　　　　　　

http://www.amazon.com/exec/obidos/ASIN/0684844419/o/qid%3D931254711/sr%3D2-1/107-2272959-0660567

http://www.mtholyoke.edu/acad/intrel/hunting.htm

　

第3回（日本語）　　　文学―散文（物語）　　　　　　古事記（きなしのかるの御子）「新編・日本古典文学全集１」小学館１９９７：３１７－２１、紀の貫之.古今和歌集序（905 AD）書き出し「新編・日本古典文学全集１１」小学館１９９４：１７、伊勢物語（第4段―西の対、第69段―狩の使）「日本古典文学全集８」小学館：１３５－３６、１９１－９３．

ネット資料

http://www.page.sannet.ne.jp/kakomo2/isemain.html

http://etext.virginia.edu/japanese/texts.euc.html

第4回 (English)　　　What is Poetry? Prose? Drama? 　 Richard, K.L. 'General Introduction.'

Valery, Paul. 1961. The Art of Poetry. New York: Vintage Books:65-72.

　　　　　　　　　　　What is literary about each form?

NetSources

http://campus.sun.ac.jp/mce/k-richard/index2.htm

第5回（日本語） 文学―和歌（恋の歌）　　　　　　 Levy, Ian Hideo et. al. 2000. Love Songs from the Manyoshu. Kodansha International: 30-33, 66-69,90-93, 古今和歌集―小町 (c.833-857)、芭蕉(1644-1694)―蕪村(1715-1783)―一茶(1763-1827)（梅が香）、中原中也 (1903-1933)等

ネット資料　

http://etext.lib.virginia.edu/japanese/manyoshu/

http://www.otal.osaka-wu.ac.jp/index.htm

http://etext.lib.virginia.edu/japanese/hyakunin/noJIS/hyaku9.html

http://cmgm.stanford.edu/~ahmad/komachi.html

http://www.geocities.com/Paris/5870/ono.html

http://music.acu.edu/www/iawm/pages/reference/komachi.html

http://www.ahapoetry.com/haiku.htm#basho

http://www.cs.uga.edu/~kece/Personal/Poems/basho.html

http://www.nime.ac.jp/~saga/buson.html

http://webusers.xula.edu/dlanoue/issa/

http://www.prmvr.otsu.shiga.jp/library/master/NakaharaChuya/NC-index.html

　　　　　　　　　

第6回　(English)　　　　Literature-Love Poetry T’ao Ch’ien (365-427) ‘The Return’ in Mack, Maynard ed. 1995. The Norton Anthology of World Masterpieces V.1:1290-92, ’帰去来の辞’「陶淵明全集・下」松枝茂夫訳注。岩波文庫・赤八－二：１３８－４９．Page 1 here. Page 2 here. Page 3 here. Page 4 here. Page 5 here. Page 6 here.John Donne (1572-1631) ‘The Good-Morrow’ in Norton:2819-21, ’おはよう’「ジョン・ダン全詩集」湯浅信之訳。名古屋大学出版会１９９６：５－６．Page 1 here. William Shakespeare (1564-1616)-The Sonnets, Walt Whitman (1819-1892) Walt Whitman 1-‘I celebrate myself’, and 21-‘I am the poet of the Body’ in Whitman, Walt. 1900. Leaves of Grass. Philadelphia, David McKay:31,51-52. ’ぼく自身の歌’＃１と２１、「草の葉・上」ホイットマン作、酒本雅之訳。岩波文庫・赤３０９－１：１０７－０８、１５２－５４． Page 1 here. Page 2 here.

NetSources

http://artsci.wustl.edu/~rhegel/EAS224%20Page/images/web%20material/tao_chien.htm

http://www.thedrunkenboat.com/taochien.htm

http://www.tkline.freeserve.co.uk/Webworks/Website/AllwaterTaoChien.htm

http://www2.wku.edu/~vanzekm/frames.htm

http://www.island-of-freedom.com/DONNE.HTM

http://www.library.utoronto.ca/utel/rp/authors/donne.html

http://www.luminarium.org/sevenlit/donne/goodmorrow.htm

http://starbuck.com/gthoughts/shakespearethoughts.html

http://daphne.palomar.edu/shakespeare/default.htm

http://jefferson.village.Virginia.EDU/whitman/works/leaves/1891/text/frameset.html

http://www.bartleby.com/142/

第7回　(日本語) 文学―劇（恋、愛とその否定）　　　岡本綺堂作(1872-1939)「番町更屋敷」歌舞伎（中村福助、中村松江、中村繊弱等―東京　国立劇場ビデオ。

　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　小説：志村有弘編「怪奇・伝奇時代小説選集（１３）四谷怪談　番町皿屋敷：2-56. Page 1 here. O-kiku confronts her love for Harima when she first learns of the marriage proposal. Page 2 here. O-kiku tries to reason that Harima is to be trusted, but she is not sure enough. Page 3 here. Kido uses traditional narrative techniques (sad koto songs) to presage the tragedy that is about to happen. Page 4 here.Harima is ordered to commit harakiri, and sees the ghost of O-kiku.

ネット資料

http://kaiki.tripod.co.jp/

第8回　(English)　　　　　Literature-Drama Henrik Ibsen (1828-1906) ‘Hedda Gabler’ in Henrik Ibsen-Four Major Plays 1998. Oxford Univ. Press: 165-264. Page 1 here. Characterization of Tesman as an academic. Act II Page 2 here. Conversation between Hedda and Lovborg in which we learn how their affair had been consummated. Act II Page 3 here. Brack tells Hedda the real story about the dissapearance of the manuscript and Lady Diana's bordello. Act III Page 4 here. Conversation between Lovborg and Ms. Elvsted in which he admits to tearing up the manuscript as well as not loving her. Act III Page 5 here. Lovborg tells Hedda he true motive in not tearing up the manuscript Act III Page 5A here. Lovborg tells Hedda he wants to die. End of Act III Page 6 here. Brack reveals to Hedda how Lovborg killed himself. Act IV Page 7 here. Brack pushes Hedda to her inevitable decision. Act IV.

　

イプセン作「ヘッダ・ガーブレル」岩波文庫・赤７５０－５.１９９６：９－１９１． Page 1 here. Page 2 here. Page 3 here. Page 4 here. Page 5 here. Page 6 here. Page 7-1 here. Page 7-2 here. Page 8-1 here. Page 8-2 here. Page 9-1 here. Page 9-2 here . Page 9-3 here. Page 10-1 here. Page 10-2 here. Page 10-3 here. Page 11-1 here.

　

　

　

　

　

NetSources

http://www.hf.uio.no/ibsensenteret/index_eng.html

http://www.human-nature.com/free-associations/hand.html

http://www.du.edu/thea/designs/Design-Hedda.html

http://ds.dial.pipex.com/town/parade/abj76/PG/pieces/ibsen.shtml

http://www.artsworld.com/tv/programme-highlights/010120-(week-4)/Hedda%20Gabler%20synopsis.html

第9回　(日本語) 美術―絵画と彫刻　　　　　　　　　橋本治。１９９５．「ひらがな日本美術史」‘不思議に人間的なもの’（中宮寺菩薩半跏像）新潮社：６３－７２．Page 1 here. Page 2 here. Page 3 here. Page 4 here. Page 5 here. Page 6 here. Page 7 here. Page 8 here. Page 9 here‘無慈悲に美しいもの’（源氏物語絵巻）同上：９１－１０１．Page 1 here. Page 2 here. Page 3 here. Page 4 here. Page 5 here. Page 6 here. Page 7 here. Page 8 here.

　

　

　

　

ネット資料

http://www.cjn.or.jp/tokugawa/room6-j.html

http://www.wisc.edu/arth/ah372/ah3721214.htm

http://faculty.ucr.edu/~bolton/galleries/emaki/index.html

　

　

第10回　(English)　　　　Art-Painting and Sculpture Hollander, Anne. Seeing Through Clothes. Berkeley: Univ. of California Press, 1993:177-183. Page 1 here. Page 2 here. Page 3 here. Page 4 here. Page 5 here. Page 6 here. Page 7 here.

Nude & Naked Hollander, Ann.1993.

　

　

　

NetSources

http://www.artchive.com/artchive/ftptoc/manet_ext.html

http://www.artchive.com/artchive/ftptoc/manet_ext.html

第11回　(日本語)　　　　　建築―寺院と家屋　法隆寺―五重塔　　　　　　　　　　

　　　　　　　　　　　　　　（見せるー隠す） Ueda, Atsushi. 1998. The Inner Harmony of the Japanese House. Kodansha International: 11-21.Page 1 here. Page 2 here. Page 3 here.Page 4 here. Page 5 here. Page 6 here. Page 7 here. Page 8 here. Page 9 here. Page 10 here. Page 11 here. 　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　上田篤. 1996. 「五重塔はなぜ倒れないか」新潮選書：23-28. Page 1 here. Page 2 here. Page 3 here. Page 4 here. Page 5 here. Page 6 here.

　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　‘An engineering mystery-Why pagodas don’t fall down,’ 1997. The Economist,12/20:121-22. Page 1 here. Page 2 here.

ネット資料

http://www.uh.edu/engines/epi1299.htm

第12回　(English) Outline of Western Architecture from the Parthenon to Frank Lloyd Wright in

America (5th century b.c.-1910 a.d.)

Classical Greece and Rome Summerson, John.1991. The Classical Language of Architecture. Thames and Hudson: Page 1 here (Architectural Orders), Page 2 here (Classical Greece and Adaptations), Page 3 here (The Victory Arch), Page 4 here (The Evolution of Greek and Roman Architecture-From Temple, to Church, to Town Hall), Page 5 here (The Stadium, the Palace, the University, the Church), Page 6 here (Michelangelo), Page 7 (St. Peter's Basilica, Rome)

Romanesque - Roman Influence on the Rest of Europe

　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　 Rome - The Pantheon 100 a.d.

Northern Italy - Rimini, St. Francis Basilica

Gothic - Northern European Style from the Middle Ages

Notre Dame Back, Paris

Notre Dame Front, Paris

Palladian Italian Villa 16th century

Baroque Domes United States Capitol Building, Washington D.C., U.S.A.

Baroque Palace and Greek Revival The Schoenbrun Palace, Vienna, Austria

The Hong Kong Shanghai Bank-Nagasaki, Japan c.1860

Frank Lloyd Wright in America - Modern Architecture Based on a Fusion of Western &

Eastern Architectural Grammar

Frederick Robie House, Univ. of Chicago, Chicago, Illinois, U.S.A. 1909-10

Frank Lloyd Wright House, Oak Park, Illinois, classical staircase, 1889-98

Frank Lloyd Wright House, Oak Park , Illinois, Japanese influenced dining room, 1889-98

William Martin House, Oak, Park, Illinois, 1902. Dining room door, in style of Japanese lacquer.

P.A. Beachy House, Oak Park, Illinois, 1906. Dining room Japanese influenced lamps.

NetSources

http://www.geocities.com/SoHo/1469/flw_jp.html#imperial

第13回　(日本語)　　　　音楽―邦楽 小島美子.１９９７．「音楽からみた

日本人」ＮＨＫ出版.１８３－２０２、２２３－３３．コトの謎　Page 1 here, Page 2 here, Page 3 here, Page 4 here, Page 5 here, Page 6 here, Page 7 here, Page 8 here, Page 9 here.

今、日本の音楽は？Page 1 here, Page 2 here, Page 3 here, Page 4 here, Page 5 here.

　

ネット資料

http://hogaku.to/link/index.cgi

http://www.kantei.go.jp/jp/kyouiku/index.html

演習Ｉ前期終了

添付資料：

発表に関するガイドラインの資料　（英語）

http://www.mala.bc.ca/~johnstoi/arguments/argument1.htm

http://www.abacon.com/pubspeak/organize/patterns.html