HAKUBI
AND
THE FOUNDATION ON PROMOTING THE NATIONAL
COSTUME OF JAPAN
AT
THE JAPAN FOUNDATION-TORONTO OFFICE
24 MAY, 1997
SPONSORED BY
THE CANADA-JAPAN SOCIETY OF TORONTO
@
From the morning lecture on The Tale of
Genji given by Prof. Kenneth L. Richard at the University of
Toronto, the Hakubi Group gathered at the Toronto headquarters of
The Japan Foundation to prepare for a late afternoon kimono show
of current fashions for young ladies and married women. Hakubi
designed this show in a popular vein, so that a general audience,
perhaps not too familiar with Japan or with the kimono, would be
able to enjoy a hands-on demonstration of the dressing, wearing,
and modeling of Japan's national costume.
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The show began and ended with a Hakubi-mai,
or Hakubi dance, in which two senior teachers and models from the
main school in Tokyo demonstrated the process of putting on a
kimono from the undergarment up, so to speak. A feature of the Hakubi-mai
which everyone finds amazing is that several layers of garment,
several sashes, the final cords around the obi or outermost sash,
are tied in tandem, to the rhythm of an urban ballad, in the
space of a mere three minutes or so. Dances of this sort are
taught in the Hakubi schools in Japan, to enable women who have
become so familiar with Western modes of dress that they have
either forgotten or can not recall, how to drape and tie the
traditional kimono. Not only do dances like these teach women how
to remember the movements, but how to do them in a coordinated
fashion that is fun, even a form of theatre. When two women stand
together with the long strands of their obi slung over their
shoulders, then suddenly fling the ends forward and around their
bodies so that the sashes seem to tie themselves, one is reminded
of their male counterparts in the so-called samurai melodramas
who charge about with their swords drawn, a Japanese version of
kung-fu. The dance these ladies do becomes a feminist statement
to the power of a woman whose dress frees her rather than
confines her.
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The performance also featured models from the
local community who volunteered their time so they could be
dressed by the teachers from Japan. The sponsors of this day's
event, the Canada-Japan Society of Toronto, even volunteered
members from their Board of Directors to act as models. Models
from Toronto included: Ms. Nana Iizuka of the Univ. of Toronto,
Ms. Deanna Wong of Mitsubishi Canada Ltd., Ms. Jennifer Cho, Ms.
Gwyneth Hall of JETRO, Ms. Lorraine Parker, and Ms. Margaret
Buckworth and Ms. Ann Parkin of the Canada-Japan Society of
Toronto. In response to the Canadian models, the Hakubi Group
produced an obi tied in the shape of a red Canadian maple leaf
(see the Hakubi pages elsewhere on this site for a photograph).
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An audience of approximately 100 attended this
performance of the Hakubi Group and most stayed behind for an
informal reception held in the Japan Foundation offices. Several
newspapers also covered the event and later published their
accounts. Commentary in Japanese for this show was provided by
Ms. Yasuko Osanai, Principal of the Hakubi School. Simultaneous
translation was provided by Prof. Kenneth L. Richard. Mr.
Takayoshi Mizushima, President of Hakubi, gave a short greeting
and talk to the audience on the history of the kimono.