Comparative Culture Tuesday sessions 2005/10/25

19^th Century German Romanticism – Love Death (Liebestod, Wagners ‘Tristan und Isolde’ [DVD Wagner Part I and II] Examples of romantic love and lust from the opera 'Tristan und Isolde' (1856-1859) First performed at the Hofoper, Munich June 10, 1865, by Richard Wagner (1813-1883) DVD Kollo-Meier-Salminen-Becht-Schunk-Schwarz, Bayreuther Festspiele, Daniel Barenboim/ Jean-Pierre Ponnelle, Phillips 1983 Scenes from Act I (Section 16-17) The marriage of Isolde and King Mark, Act II (Sections 24-27) Tristan and Isolde drink the love potion, and Act III (Sections 11-14) End. The 'Liebestod' (Love Death) of Isolde. （日本語字幕）

Four

Renaissance Sculpture – Love of the Body (Michelangelo’s Slaves compared to a granite figure of Rameses II in the Louvre) [VTRs NHK Louvre Museum Sculpture series, Ramese II and Michelangelo]

European Civilization, European Culture, Art & Architecture ヨーロッパ文明、文化、美術、建築

Europe Before America A-Germanic, Romance, & Anglo-Saxon Culture from the Middle Ages to the Renaissance アメリカが存在した以前のヨーロッパＡ－中世より啓蒙時代までのゲルマニア、ロマンス、アングロサクソン文化

Video: Michelangelo Slaves-ミケランジェロの奴隷 710R81-2

http://www.amazon.com/exec/obidos/ts/book-reviews/1564586154/o/qid=924570314/sr=2-1/002-2617655-6723811

http://www.mfa.org/collections/

http://dir.yahoo.com/Arts/Art_History/Periods_and_Movements/

http://metalab.unc.edu/wm/paint/glo/renaissance/

Five

Architecture from the Parthenon to Frank Lloyd Wright-Temples of the mind, body and spirit (From materials for Enshu I, and cards with overhead projector) Outline of Western Architecture from the Parthenon to Frank Lloyd Wright in

America (5th century b.c.-1910 a.d.)

Classical Greece and Rome Summerson, John.1991. The Classical Language of Architecture. Thames and Hudson: Page 1 here (Architectural Orders), Page 2 here (Classical Greece and Adaptations), Page 3 here (The Victory Arch), Page 4 here (The Evolution of Greek and Roman Architecture-From Temple, to Church, to Town Hall), Page 5 here (The Stadium, the Palace, the University, the Church), Page 6 here (Michelangelo), Page 7 (St. Peter's Basilica, Rome)

Romanesque - Roman Influence on the Rest of Europe

　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　 Rome - The Pantheon 100 a.d.

Northern Italy - Rimini, St. Francis Basilica

Gothic - Northern European Style from the Middle Ages

Notre Dame Back, Paris

Notre Dame Front, Paris

Palladian Italian Villa 16th century

Baroque Domes United States Capitol Building, Washington D.C., U.S.A.

Baroque Palace and Greek Revival The Schoenbrun Palace, Vienna, Austria

The Hong Kong Shanghai Bank-Nagasaki, Japan c.1860

Frank Lloyd Wright in America - Modern Architecture Based on a Fusion of Western &

Eastern Architectural Grammar

Frederick Robie House, Univ. of Chicago, Chicago, Illinois, U.S.A. 1909-10

Frank Lloyd Wright House, Oak Park, Illinois, classical staircase, 1889-98

Frank Lloyd Wright House, Oak Park , Illinois, Japanese influenced dining room, 1889-98

William Martin House, Oak, Park, Illinois, 1902. Dining room door, in style of Japanese lacquer.

P.A. Beachy House, Oak Park, Illinois, 1906. Dining room Japanese influenced lamps.

NetSources

http://www.geocities.com/SoHo/1469/flw_jp.html#imperial

SIX

建築―寺院と家屋　法隆寺―五重塔　　　　　　　　　　

　　　　　　　　　　　　　　（見せるー隠す） Ueda, Atsushi. 1998. The Inner Harmony of the Japanese House. Kodansha International: 11-21.Page 1 here. Page 2 here. Page 3 here.Page 4 here. Page 5 here. Page 6 here. Page 7 here. Page 8 here. Page 9 here. Page 10 here. Page 11 here. 　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　上田篤 . 1996. 「五重塔はなぜ倒れないか」新潮選書：23-28. Page 1 here. Page 2 here. Page 3 here. Page 4 here. Page 5 here. Page 6 here.

　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　‘An engineering mystery-Why pagodas don’t fall down,’ 1997. The Economist,12/20:121-22. Page 1 here. Page 2 here.

ネット資料

http://www.uh.edu/engines/epi1299.htm

日本建築

Architecture

The Japanese House

China – A Great and Enduring Civilization (The early dynasties Shang and Chou) [VTR China-Dynasties of Power]

Seven

China – A Great and Enduring

SEVEN

The Art and Architecture of the Great City of St. Petersburg, Russia as conceived by Peter the Great in 1703. DVD St. Petersburg with Japanese narration.

EIGHT

China – A Great and Enduring Civilization (The early dynasties Shang and Chou) [VTR China-Dynasties of Power]

NINE

Romance ( Mutan ting – The Peony Pavilion, a Chinese opera from a Ming period novel) [VTR-The Peony Pavilion] Smithsonian's Arthur M. Sackler Gallery Exhibition: "Iraq and China: Ceramics, Trade and Innovation"

Chinese Romanticism - The Peony Pavilion (Mudan Ting 1598) 明朝　牡丹亭　by Tang Xianzu (1550-1616)　湯顕祖　 Video: The Peony Pavilion (Mudan Ting) Produced by the Lincoln Center Festival, New York and the Festival D'Automne A Paris Abridged Version, narrated by Robert Powell. 2000. MMI Image Entertainment, Inc. Main Characters 中央登場人物： Du Bao 社宝、father of Liniang, Du Liniang 社麗娘, beautiful daughter who dies of love,　Liu Mengmei 柳夢梅, hansome young scholar who falls in love with Liniang, Spring Fragrance 春香, Liniang's maid. Order of video scenes: 1.) The Lessons 訓女、２.）The Tutor To a Curtained Lady　閨塾、3.) Father Du Bao in the streets. A new or restored scene?, 4.) The Interrupted Dream 驚夢　Liniang's fantasy in the garden. Mengmei appears in her dream, 5.) The Taoist Monk makes the dream actually happen to meet a handsome man 言懐, 6.) Pursuing the Dream 尋夢　Liniang returns to the garden, and the next day, 7.) The Portrait Likeness 写真Liniang, sick at heart, decides to paint a portrait of herself for Mengmei (musicians only), 8.) Military Episode-Barbarians plan to attack Hangzhou and West Lake, 9.) Du Liniang dies 離魂、10.) Liu Mengmei starts on his journey Meets tutor Chen who advises him to rest in the Plum Nunnery 旅寄、11.) The Judgement-Liniang called before the judges of Hell.冥判 Quizzed as to whether she is married to a 'willow' or to a 'plum', she is sent back to the world of the living to be reunited with Liu Mengmei whose name means 'willow dreaming of a plum’地府, 12.) Madame Du, Liniang's mother, longs for her daughter 憧女, 13.)Liu Mengmei fins the portrait scroll (musicians only) 拾画、14.) The portrait comes alive. Liniang sings her love to Mengmei. The ghost flees　幽媾, 15.)Military scene. Du's father involved in a potential invasion of his homeland　淮驚、16.) Liniang reveals to Mengmei that she is a ghost　冥誓, 17.) Liniang is resurrected from the Taoist Nunnery garden. She flees the open grave with Liu Mengmei　回生, 18.) Military scene- a battle ensues　折冠, 19.) Mengmei must leave to study for the official examinations 婚走, 20.) Madame Du in danger, a military scene, 21.) Liniang is reunited with her mother as she flees the scene of her invaded city, and tells her of her husband Mengmei 遇母, 22.) Town criers say that Mengmei has been playing with prostitutes 索元 , 23.) Mengmei is beaten by Father Du Bao for being a grave robber, and for being a playboy when actually he has been away to take the official examinations 硬拷, 24.) Mengmei is reunited, as an official now, with Liniang. The Imperial edict of promotion is read, and Father Du promotes the marriage and forgives Mengmei 圓駕.

TEN

China-Mutan Ting The Peony Pavilion continued

ELEVEN

Japan – The things that Murasaki Shikibu knew (Kojiki, Kokin wakashu, Ise monogatari) 文学―散文（物語）　　　　　　古事記（きなしのかるの御子）「新編・日本古典文学全集１」小学館１９９７：３１７－２１、紀の貫之.古今和歌集序（905 AD）書き出し「新編・日本古典文学全集１１」小学館１９９４：１７、伊勢物語（第 4段―西の対、第69段―狩の使）「日本古典文学全集８」小学館：１３５－３６、１９１－９３．

ネット資料

http://www.page.sannet.ne.jp/kakomo2/isemain.html

http://etext.virginia.edu/japanese/texts.euc.html

Ten

The Triumph of the Human Spirit and Dignity (T’ao Ch’ien, John Donne, and Walt Whitman, examples from China, England, and the United States) 　Literature-Love Poetry T’ao Ch’ien (365-427) ‘The Return’ in Mack, Maynard ed. 1995. The Norton Anthology of World Masterpieces V.1:1290-92, ’帰去来の辞’「陶淵明全集・下」松枝茂夫訳注。岩波文庫・赤八－二：１３８－４９．Page 1 here. Page 2 here. Page 3 here. Page 4 here. Page 5 here. Page 6 here.John Donne (1572-1631) ‘The Good-Morrow’ in Norton:2819-21,

’おはよう’「ジョン・ダン全詩集」湯浅信之訳。名古屋大学出版会１９９６：５－６．Page 1 here. William Shakespeare (1564-1616)-The Sonnets, Walt Whitman (1819-1892) Walt Whitman 1-‘I celebrate myself’, and 21-‘I am the poet of the Body’ in Whitman, Walt. 1900. Leaves of Grass. Philadelphia, David McKay:31,51-52. ’ぼく自身の歌’＃１と２１、「草の葉・上」ホイットマン作、酒本雅之訳。岩波文庫・赤３０９－１：１０７－０８、１５２－５４． Page 1 here. Page 2 here.

NetSources

http://artsci.wustl.edu/~rhegel/EAS224%20Page/images/web%20material/tao_chien.htm

http://www.thedrunkenboat.com/taochien.htm

http://www.tkline.freeserve.co.uk/Webworks/Website/AllwaterTaoChien.htm

http://www2.wku.edu/~vanzekm/frames.htm

http://www.island-of-freedom.com/DONNE.HTM

http://www.library.utoronto.ca/utel/rp/authors/donne.html

http://www.luminarium.org/sevenlit/donne/goodmorrow.htm

http://starbuck.com/gthoughts/shakespearethoughts.html

http://daphne.palomar.edu/shakespeare/default.htm

http://jefferson.village.Virginia.EDU/whitman/works/leaves/1891/text/frameset.html

http://www.bartleby.com/142/

Twelve